Vol. 29 No. 1 (2018)

• MEIRAV ALMOG: Merleau-Ponty’s Ontology of Style: Thought, Expression, and Art
• RYAN CRAWFORD: The Fossil and the Word: Toward a Concept of the Philosophical Fragment
• MÉLANIE WEILL: Creative Metaphors: an essay on Bergson’s Writing Style
• STEPHEN HOWARD: The Material Literary Form of Kant’s Opus postumum
• ERIN S PLUNKETT: “Endless Specific Recoveries”: on the Genre of the Essay in Cavell
• MARINA MARREN: Masks and Monsters: on the Transformative Power of Art
• THOMAS SUTHERLAND: Style without Substance, Form qua Function: the Nonphilosophical
  Unilateralization of Philosophical Style

Varia

• FLORIAN VERMEIREN: The Implicative Dimension of Time: from Bergson’s Duration to
  Deleuze’s Virtuality
• SAMUEL HONSBEEK: Why Nietzsche Does Not Object to False Judgments: an Essay on
  Beyond Good and Evil‘s Fourth Section
• JOHANN GOTTLIEB FICHTE: Ideas on God and Immortality: Lectures on Logic and Metaphysics, Trans. CHIU YUI PLATO TSE & RORY PHILIPS
• LEWIS HODDER: Art and the New Condition of Literature: Capital: New York, Capital
  of the 20th Century by Kenneth Goldsmith
• J E MCNALLY: Reopening McLuhanism: On Understanding Media