Abstract
Thinking with Style- MEIRAV ALMOG: Merleau-Ponty’s Ontology of Style: Thought, Expression, and Art
- RYAN CRAWFORD: The Fossil and the Word: Toward a Concept of the Philosophical Fragment
- MÉLANIE WEILL: Creative Metaphors: an essay on Bergson’s Writing Style
- STEPHEN HOWARD: The Material Literary Form of Kant’s Opus postumum
- ERIN S PLUNKETT: “Endless Specific Recoveries”: on the Genre of the Essay in Cavell
- MARINA MARREN: Masks and Monsters: on the Transformative Power of Art
- THOMAS SUTHERLAND: Style without Substance, Form qua Function: the Nonphilosophical
Unilateralization of Philosophical Style
Varia
- FLORIAN VERMEIREN: The Implicative Dimension of Time: from Bergson’s Duration to
Deleuze’s Virtuality - SAMUEL HONSBEEK: Why Nietzsche Does Not Object to False Judgments: an Essay on
Beyond Good and Evil‘s Fourth Section - JOHANN GOTTLIEB FICHTE: Ideas on God and Immortality: Lectures on Logic and Metaphysics, Trans. CHIU YUI PLATO TSE & RORY PHILIPS
- LEWIS HODDER: Art and the New Condition of Literature: Capital: New York, Capital
of the 20th Century by Kenneth Goldsmith - J E MCNALLY: Reopening McLuhanism: On Understanding Media
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